The Curio Has Been Conquered!!!

Finally, after two years of battles and skirmishes, the Curio has been conquered…at least for stencils. Periodic attempts would be made to either deboss uncured polymer or more recently to make stencils, only to end in frustration. Last week, I was determined that, no matter how long it took, the stencil would be conquered.

The pattern that is selected for a stencil has a great deal to do with the success rate. You may need photo editing software to invert the black and white image. Keep in mind that the black areas will drop out, the white areas will remain. In addition, the white areas should be connected and the pattern may need to be cropped and enlarged in order to allow thicker lines in the final stencil.


Next step, setting up the ‘beast’…aka…THE CURIO. There are multiple YouTube  videos on making stencils using Silhouette products. Many use a different cutter or software, but the process remains the same.

  • Place and then roll the stencil material on the curio platform
  • A total of 5 platforms were used
  • Tape down stencil material on each side
  • Trace and cut out the pattern in software
  • Send it to the cutter
  • Material – Stencil
  • Action – Cut
  • Tool – Ratchet Blade (I am using the deep cut blade set on #2 for this material.
  • Click on the SEND button

This stencil was made with a page divider for a three ring binder. It is not as thick as a commercial stencil, but a binding of washi tape should help with stability.

Depending on the complexity of the pattern it may take awhile for the stencil to cut. The featured pattern took over 7 minutes, while several of the stencils shown on Instagram only took a few minutes.

OOOOPS!!! I forgot a very important tip. The drop outs are pesky little shapes that have been rolled onto the sticky surface of the cutting platform. A quick method of removing them is to use the blunt edge of a blade and ‘shovel’ them from the surface. This process takes a matter of seconds…not the minutes I spent removing them after cutting this stencil. 

I apologize for the long hiatus between posts. I have been working during the past few months, but there was nothing ‘noteworthy’ to share. Recovery from the eight months of treatment for breast cancer continues in a VERY positive direction. One of the mysterious side effects is ‘chemo brain’, which may take months or even years to subside. While it isn’t debilitating, it is frustrating. Keeping my Charleston Crafts Gallery space stocked with fresh inventory has been my main focus during the last few months.

Relax, have fun, and remember… YOU CAN DO THIS!!!

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From All Angles

For several years, I have been collecting ‘interesting’ cocktail napkins for use in a variety of applications…typically as a focal design. 

After completing the transfer design process for these earrings, the backs needed something that would complement the front without disturbing the images. One napkin in the ‘stash’ repeated many of the colors found on the front.

To use napkins as a focal element or accent in your work the process is very simple.

  • Separate the backing layers from the decorative layer on the napkin…typically two.
  • Cut pieces that are slightly larger than your completed polymer piece.
  • Apply a light coat of gloss medium to the surface and gently ease the tissue onto the prepared surface.
  • Smooth any wrinkles and allow to dry.
  • After the surface is dry, ‘sand’ off the excess with a nail file.
  • Add a protective coat of medium…either gloss or matte. I chose matte for this application.

Now your design looks interesting from All Angles!!!


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Playful or Controlled

It is amazing how a minor tweak with an accent bead can move a necklace with identical components from controlled to playful.

I have been eager to try a mix of ‘rock’ beads with the sea urchin spikes. Initially, I thought blending the colors with the spikes would be most successful combination. While it works…it doesn’t ‘POP’!

Staring at me from my work surface were the beads that had been rejected in the earlier design. They give the finished design a completely different personality.

I am eager to ‘play’ with Plan C. Paprika mixed with Kato translucent makes a coppery/brown color that appears to match the brown tips of the spikes.  HMMMM…don’t you just love the ‘what if’ road?

FYI: Last spring I shared my breast cancer diagnosis. I am happy to report that the chemo therapy was 100% successful. I start radiation therapy tomorrow, but that has been shortened from 6 to 4 weeks.

My hair is starting to grow back…yikes!!! I think my ‘killer’ wig and scarves will be a part of my attire until I get the go ahead for color. Unfortunately, that is several months away.

Thank you for your messages, gifts and cards during the last 6 months. All of these contributed to the successful outcome.


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Experiments & Samples

As I mentioned in an earlier post, the studio doubles as a guest bedroom. In early August, my son and his family came for their annual beach vacation. So, the studio was the domain of my teenage grandsons for eight days.

Time to decamp to the garage studio and experiment with translucent clay and inclusions for a new series based on Cynthia Tinapple’s Craft Cast   stone and sea glass classes. BTW…the garage studio is where my metal & etching work bench resides. Pros…great lighting (two huge corner windows surround the bench)…Cons…90 degree temps and 90%+ humidity environment. FYI…Kato clay preformed beautifully in that environment.

The photo shows the strung clay/inclusion samples and some completed stones. The recipe for each stone is written on the sample disk. This technique is addictive and relaxing.  Perfect ‘zen’ environment when your normally quiet home has been invaded a swirl of activity.


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Solar Inspirations

The latest prediction for eclipse visitors to South Carolina is approximately 2 million. Since Charleston is Travel & Leisure’s #1 city in the US, the Charleston Crafts Gallery should be very busy before and after.

Several weeks ago, I started a series that had a solar system ‘vibe’. Thank you to Melanie Muir and her fabulous CraftCast Rock Cuff Class for inspiring the test drive bracelet. No matter where or when I wear the cuff, it always creates positive comments.

Of course, earrings are the best sellers…they followed in short order!!!

The summer issue of Belle Armoire Jewelry, featuring my Spoke Cuff on the cover is still available on newsstands. The article includes full instructions for the Spoke Cuff and 4 additional bracelets.

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Surprises & Experiments

During our move in 2015, the supplies from two studies were combined. Aside from the duplicates, there were some pleasant surprises buried in the moving boxes i.e Dr. Ph. Martins Iridescent 11R Copper Plate Gold.

This little one ounce bottle sat untouched for almost two years until, I unearthed it looking for just the right gold accent for several of the bracelets featured in the Summer Issue of Belle Armoire Jewelry.

I am adding additional photos from my ‘test album’. This one-stop binder keeps track of experiments and also reminds me of supplies that may have become buried in the ‘stash’ of stuff on the shelves. After all, my studio doubles as a guest bedroom. 








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New Blue…YAHOO!!!

In the Saturday, June 3rd, edition of the Wall Street Journal, Amanda Foreman, describes a short history of color chemistry, as well as the accidental discovery of a new blue from a chemistry lab at Oregon State University.

“In 2009, a graduate student working in a chemistry lab at Oregon State University accidentally created a new, brilliantly blue pigment while experimenting with manganese oxide and other materials. Dubbed “YInMn blue” after its chemical makeup, the pigment quickly spurred a research paper and a patent application.”

In May, Crayola announced a contest to name the new blue, as well as a flashy video campaign as part of the introduction.

All of this meshes very nicely with the summer issue of The Polymer Arts Magazine…Color.

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