Off to the Publisher

belle-armoire

My latest blog post was postponed because of the holidays and a January 15th deadline for the summer issue of Belle Armoire Jewelry. While I can’t reveal the specifics, the photo is a sneak preview of the items that were submitted.

I hope to have some great photos for the next post from my week in Florida with Alice Stropel, Julie Eakes, Dayle Doroshow, and Meisha Barbee.  We are planning another challenge using some of the Winter 2017 collection from Nunn Designs. Our 2015 challenge was featured in the Fall issue of Belle Armoire Jewelry that year.

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Live Does Interfere!!!

YIKES!!! Since we last met, there has been a hurricane, foot surgery, the fall show and Thanksgiving. While there has been plenty going on in the studio, I just couldn’t wrap my head around blogging…sorry!!!

Pastels seem to be the rage this year. When presented with the challenge of selecting a range of Pan Pastels colors, my mind shut down. As a substitute, I found a package of 40 half stick soft pastels from Sennelier…beautiful colors and not outrageously expensive.

pastels

In the feature photo, I used the pad of my finger to apply various colors to a raw sheet of textured gold Kato clay and than ran the sheet through the pasta machine until smooth. One pleasant surprise, it appears that the binder in the pastels bond with the clay during baking.

 

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A Little Help from Here…There…Everywhere!!!

swirl-pendants2The last few posts have featured work in process using Anna Oriona’s Mokume Gane technique.

As a finished item, the pendant has created the most interest. While, I thought the colors were a bit summery, fiber artist, LuAnn Rosenzweig’s, eyes lit up when I brought it to the Charleston Crafts gallery last week.

She also commented on the fact that I finished the sides and the back. Thank you to Debbie Jackson for her admonition to finish all sides of a piece. In addition, thank you to Melanie Muir for her Craftcast video showing the finishing technique and to Jan Montarsi...through Syndee Holt, for the wonderful hidden bail.

WHEW…I think that is enough name dropping for one post!!!

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Dot-Dot-Dot

dot-dot-dotIt is surprising how a series of small dots can change the energy in a piece.

Recently, I acquired two much desired additions to my ‘tool box’ from Dr. Matt Liebentritt…amalgam carriers.

 

new toys_edited-1

The most interesting part of my quest was the look on his mother’s face when I told her that I would love these instruments for my artwork.

 

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Softer Color Palette

softer paletteThe featured photo is an early experiment with Anna Oriona’s technique, using a variety of metallic mixtures from another project. While the end result is not as bold, the overall pattern is still quite interesting.

These designs are destined to be pendants and earrings for the Charleston Crafts Coop. The temperatures should be cooling soon and the visitors will be returning to the historic district. Traffic is waaaaaaaaaaaay down in the summer due to the heat. Most visitors will select the beach over shopping.

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Caution: Addictive Technique

swirls

I bumped into this Youtube video from Anna Oriona several weeks ago…and now I am ‘hooked’.  You can adjust the ‘attitude’ of the swirls by tweaking the color combinations…analogous=peaceful…high contrast=playful.

The next week will be spent experimenting with both color personalities. Here’s hoping my tablet will play nice and I will have additional photos to post. swirl-slices

BTW…here’s an additional photo with the ‘off cuts’ from the swirls carefully flipped and overlapped on a base sheet of clay.

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Possibilities

diluent-inks2I’ve spent the last two days on the ‘what if’ road. What if you mix diluent…oops!!! clay softener… and alcohol ink on baked clay and rebake. Some of the colors are ghastly, but others are very interesting, breaking down into two or three underlying shades. The three large samples on the bottom row have been coated with Golden Polymer Varnish with UVLS (Matte).

This is one trip that hasn’t ended in a dead end, but there are still a few questions to answer before I’m ready for prime time with this surface. Some of the samples have a ‘gummy’ feel. Is that too much alcohol or too much diluent? Will a second baking resolve that issue? HMMMM!!!

diluent-inks1

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